How do issues such as authorship, copyright, and open access
impact your desire, ability and willingness to engage in produsage, both
personally and professionally?
Prior to this course, I never (intentionally) published online,
unless you consider Facebook posts publishing, so I haven’t considered the
issues of authorship and copyright in regards to my own work. Through the years, I’ve “borrowed”
assignments I’ve found through Google searches for specific language arts
units. I borrowed from a teacher in
Illinois so often that I sent him a thank you email telling him how much I appreciated the effort
he put into his units and just how lucky his students were to have him for an
instructor. Now I see some of his work
on Read, Write, Think, so maybe he’s getting remunerated for his efforts. (I’ve also learned that sometimes my students
are borrowing from the same people.) Likewise,
I’ve seen a fellow teacher passing along a mash-up of an assignment I’ve
created in my classroom, and I won’t recall giving that teacher the use of my
assignment. That’s mildly annoying. So if I was making a living researching and
authoring journal articles or writing a book, I would consider copyright
important. Although I appreciate the
spirit of the Linux creation and Clay Shirky’s, “Join us, and we will invent Cheesy Poofs
together,” Creative Commons seems a good compromise to protect the
creation/collaboration of produsage when the originator wants to maintain some
control.
In reference to the Lingel article, it’s interesting that, contrary
to the reality of the law, the people video recording concerts and posting them
on YouTube believed that they owned the content of their videos.
So I suppose it depends on whether or not someone is
producing or just using—the proverbial two-headed coin.
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